His early works straddled this divide, drawing from classic garage and underground club while blazing forward with an unorthodox production technique that relied heavily on ballsy sampling and serious musical proficiency, often manifesting in quintessential Dana/Krimp/Callisto key solos that propelled so many of his tracks into the unique stratosphere of vocal-hook driven house that he exclusively orbited.
Both ‘Get Up’ and ‘House of Pain’ were hammered relentlessly by Louie Vega at his Underground Network/Sound Factory residency
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